Intuition. Competence. Reliability.
Whether portraits, corporate portrayals or photo reports – stories come to life because of the decisive moment, as the legendary Cartier-Bresson put it, serving as a model for everyone who takes photojournalism seriously and looks to provide an original image instead of a mere copy. It should be honest and true, and make you look twice.
Apprenticeship with the FAZ – a formative period. Everything takes a bit longer – and consequently sticks better. Followed by a number of publications, mainly in the FAZ Magazine but also in DIE ZEIT, Cicero, Deutschland Magazin, Rheinischer Merkur, die tageszeitung, Neue Zürcher Zeitung, Der Standard.
Some name dropping here, in alphabetical order: ALTANA, Bertelsmann Foundation, Clifford Chance, Delton, Deutsche Leasing, Goethe-Institute, Firstdata, Fraunhofer Gesellschaft, FSB, Hauck & Aufhäuser, Herbert Quandt Foundation, Johanna Quandt Foundation, Merck, MMK Frankfurt, Rheinmetall, Standard Life, Thonet, Oventrop, Scania, Vodafone Foundation.
Pictured: Quality control – Hands using a gauge to calibrate a component, F.W. Oventrop GmbH & Co.KG, Olsberg, 2001.
Subjects, location and duration of these workshops (including one-on-one instructions) can be custom-tailored to fit students’ individual interests and abilities. Options include basic sessions for children and young adults (ages 8–14) or more advanced courses in creating photo stories and learning to manipulate digital images.
Pictured: Photo course at Pestalozzi School – initial hands-on practices in the computer room, Frankfurt/Riederwald, 2009.
German and international institutions as well as private collectors have included my work in their photographic collections.
Leasing art, presents the option to arrange and rearrange your space with great flexibility at reasonable rates.
On 17 December 2011, we opened our gallery “Pas de Deux”. First, we present a cross section of our work …
Photo: Gesa Emde (l.) and Mirko Krizanovic at the Gallery “Pas de Deux”, 2011.